Wednesday, March 7, 2018

Free Ebook Seeds of Change: Wangari's Gift to the World, by Jen Cullerton Johnson

Free Ebook Seeds of Change: Wangari's Gift to the World, by Jen Cullerton Johnson

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Seeds of Change: Wangari's Gift to the World, by Jen Cullerton Johnson

Seeds of Change: Wangari's Gift to the World, by Jen Cullerton Johnson


Seeds of Change: Wangari's Gift to the World, by Jen Cullerton Johnson


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Seeds of Change: Wangari's Gift to the World, by Jen Cullerton Johnson

From School Library Journal

Grade 2–4—This entry on Wangari Maathai takes a slightly more comprehensive look at her life than several other recent books. Her deep love of nature and her determination, first to get an education and later to save the environment and ultimately the people of Kenya, are discussed. Foreign business interests and the duplicity of "corrupt police" forced her first into prison, then politics, and ultimately into spreading her message to the wider world. The book closes as she received the Nobel Peace Prize in 2004. An afterword adds more detail on the Green Belt Movement. Vivid colors sparkle from within the thick white outlines in the batik-style illustrations that fill the pages.—Carol S. Surges, McKinley Elementary School, Wauwatosa, WI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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From Booklist

Nobel Peace Prize winner Wangari Maathai has become a popular subject for the elementary-school crowd: this title marks the fourth picture-book biography about the Kenyan environmentalist to be released in the last two years. More than the previous offerings, Johnson's title discusses Maathai's education, particularly the role that her brother played in advocating that his sister attend school, and later, at college in the U.S., the inspiration Maathai found in her female science professors: “From them she learned that a woman could do anything she wanted to.” Throughout the poetic text, Johnson includes direct quotes, sourced in appended notes, which will help young people feel a more immediate connection to the inspiring activist and her powerful message. Sadler's bright mixed-media art, reminiscent of Ashley Bryan's work with its white outlines and rainbow-hued shapes, reinforces the sense of a depleted land growing green again and the presence, even in bustling city scenes, of a vibrant natural world. An author's note and resources conclude this title, which complements, rather than duplicates, other recent titles about Maathai. Grades 2-4. --Gillian Engberg

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Product details

Age Range: 6 - 11 years

Grade Level: 2 - 4

Lexile Measure: 820L (What's this?)

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Series: AWARDS: ALA: Youth Media Award Winners 2011

Hardcover: 40 pages

Publisher: Lee & Low Books; 1St Edition edition (June 30, 2010)

Language: English

ISBN-10: 160060367X

ISBN-13: 978-1600603679

Product Dimensions:

9.2 x 0.5 x 10 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#65,074 in Books (See Top 100 in Books)

Love the drawings, and the story is very inspirational to young girls to strive and follow their dreams.. This is a biography of Wangari Mathaai. She fought deforestation in her native Kenya, and was the first African woman to win the Nobel Peace Prize in 2004. A champion and advocate for women and children. A woman who was not expected to attend school let alone go to college in the U.S. She went back to Kenya and started the Green Belt Movement to combat deforestation in Kenya. Great cultural lessons from her mother about trees and their significance in the lives of African women were motivations for Wangari to start her movement. In spite of the gender discrimination she faced in her country. The new young trees were planted in long rows looked like green belts, hints the name of the movement. Great story for all ages. I highly recommend

A wonderful example of a woman taking action to make the world, one piece of it and in effect all of it, better. A role-model about the simplicity of how to effect change.

Beautifully illustrated, beautifully told biography of Wangari. My eco-conscious, story-loving, feisty little girls love this book and its message of courage and hope and persistence of the human spirit.

Got this book for an art class due to the illustrations. The story is ok but LOVE the illustrations.

Beautiful!

Love the page with ladies doing science!

This captivating story of Wangari and her lifelong endeavor to make a positive impact on the environment and women's role in science is one you will remember long after you put the book down!! The moving story and vivid illustrations have children and adults entranced in this story of persistence and collaboration. I have loved reading this story myself, with students and my own family! I recommend it for all readers! Enjoy!

"Seeds of Change" is an engaging story about a Kenyan girl who goes to school, defies gender limitations, and values the environment. I had never heard of Wangari Maathai, but this biographical tale of the Pulitzer Prize winner is a great story. With the vivid illustrations, this story presents a powerful lesson about the environment and gender roles, but the story also shows how the instruction and traditions of previous generations can make a huge impact on the current generation. The values and stories we tell our children can have a powerful impact on the future of our world.

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Monday, March 5, 2018

Download Regents Exams and Answers: U.S. History and Government (Barron's Regents NY)

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Regents Exams and Answers: U.S. History and Government (Barron's Regents NY)

Regents Exams and Answers: U.S. History and Government (Barron's Regents NY)


Regents Exams and Answers: U.S. History and Government (Barron's Regents NY)


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Regents Exams and Answers: U.S. History and Government (Barron's Regents NY)

Product details

Series: Barron's Regents NY

Paperback: 592 pages

Publisher: Barrons Educational Series; First Edition edition (November 1, 2017)

Language: English

ISBN-10: 0812033442

ISBN-13: 978-0812033441

Product Dimensions:

5.2 x 1.1 x 7.8 inches

Shipping Weight: 4 ounces (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#12,169 in Books (See Top 100 in Books)

You can't go wrong using Barron's review books. I purchased this to use as a social studies teacher. I bought my first Barron's book more than 50 years ago as a student!

Daughter studies these books and takes as many practice tests as she can. She's done very well on all the Regents exams. These books are very helpful.

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Sunday, February 11, 2018

PDF Ebook Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)

PDF Ebook Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)

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Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)

Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)


Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)


PDF Ebook Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)

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Aubrey Beardsley: A Catalogue Raisonné (The Paul Mellon Center Series in British Art)

Review

“This monumental two-volume catalogue raisonne is a notable coping stone on the edifice of his reputation. It reals that he is worthy of his enduring fame. During his brief lifetime Beardsley produced an extraordinary – there are over 1,100 drawings here. They have been brilliantly marshalled and laid out in a prodigious labour of dedicated scholarship by Linda Zatlin.”—Matthew Sturgis, Literary Review (Matthew Sturgis Literary Review 2016-05-01)“This is a sumptuous publication of superb quality.”—Donald Mead, Intentions ( Journal of the Oscar Wilde Society),  (Donald Mead Intentions 2016-05-01)“Faith in the strong black line is everywhere evident in a gorgeous new two-volume catalogue raisonné of Beardsley’s work, edited by Linda Gertner Zatlin, who also provides helpful commentary for each drawing. . . . [Beardsley] found, and left for us, a line that could hold.”—Morgan Meis, New Yorker (Morgan Meis New Yorker)‘Linda Gertner Zatlin’s magnificent new catalogue lists well over 1,000 drawings, none without interest, most of them masterworks, some the defining images of their time. Poring with Zatlin over every sunflower and poppy, every nipple and tassel and cloven hoof, studying her digests of the large critical scrutiny these pictures have attracted over more than century, one seems to pass in entranced slow motion over a huge corpus of work produced at superhuman speed … absorbing and exhilarating.’ - Alan Hollinghurst, Apollo (Alan Hollinghurst Apollo 2016-07-01)“A magnificently complete chronicle of Beardsley's life and work. . . . comprehensive . . . meticulously researched . . . invaluable.”—Elizabeth Darocha Berenz, ARLIS/NA Reviews (Elizabeth Darocha Berenz ARLIS/NA Reviews)“Linda Zatlin wears three decades of consistent scholarship on Beardsley lightly, and her entries are a consistent pleasure… For the price, the book is a marvellous and monumental achievement, and by far the best single account of Aubrey Beardsley’s particular genius.”—Richard Canning, TLS (Richard Canning TLS 2016-11-11)“Utterly spectacular. Beardsley died of tuberculosis at 25, but still managed to produce 1,100 finished drawings and 100 sketches, which are wonderfully reproduced here in all their exotic, erotic and often grotesque headiness. Zatlin is a perceptive guide to an artist who, she notes, challenged his times and at the same time defined them.”—Michael Prodger, Sunday Times (Michael Prodger Sunday Times 2016-11-27)“Finally, this leading Art Nouveau figure and contemporary of Oscar Wilde gets his due, in a scholarly set presenting well over a thousand finished works alongside assorted sketches and writings. The sheer amount of work Beardsley left behind when he died at 25 is stunning, but his artistic prescience is the real mind-blower."—John DeFore, Hollywood Reporter (“Best of 2016”) (John DeFore Hollywood Reporter)Won an Honorable Mention for the 2016 ARLIS/NA George Wittenborn Memorial Award. (George Wittenborn Memorial ARLIS/NA 2017-03-06)‘Zatlin has created a book that not only does justice to an artist too little known, but one that will stand as the perfect example of the way in which a catalogue raisonné can, and should be, done. This is both a superb reference book and a living example of art historical/literary scholarship carried out on the highest level of creative excellence. Zatlin deserves awards for what she has single-handedly accomplished.’ - Gabriel P. Weisberg, Nineteenth-Century Art Worldwide (Gabriel P. Weisberg Nineteenth-Century Art Worldwide 2017-04-01)

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About the Author

Linda Gertner Zatlin is professor of English at Morehouse College, Atlanta.   

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Product details

Series: The Paul Mellon Center Series in British Art

Hardcover: 1112 pages

Publisher: Yale University Press; Slp edition (March 17, 2016)

Language: English

ISBN-10: 9780300111279

ISBN-13: 978-0300111279

ASIN: 0300111274

Product Dimensions:

10.2 x 3.8 x 12 inches

Shipping Weight: 14.3 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#309,679 in Books (See Top 100 in Books)

I've been waiting for these books for just about my entire life. Thank you, Linda Zatlin! Despite his tragically brief career, Beardsley has long deserved this definitive collection of his works.

An amazing work!

This two volume catalogue raisonné is a remarkable set, comprehensively covering all of the known art of one of the most influential of modern artists. The detailed scholarship so evident in this work is the result of decades of research by a Beardsley authority. The production of the volumes and slipcase is beautiful, as befits its subject. Very highly recommended.

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Thursday, January 25, 2018

Free Ebook , by Nick Spalding

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Product details

File Size: 1807 KB

Print Length: 246 pages

Publisher: Lake Union Publishing (January 28, 2014)

Publication Date: January 28, 2014

Language: English

ASIN: B00F007V1Q

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I loved the continuation of the Jamie and Laura saga, almost as much as I did the first book (Love... From Both Sides). In this segment, Jamie and Laura are married and suddenly find themselves to be expectant parents, as well.While the humor and writing remain solid, and the dialogue still flows well, there are a couple of predictable parts. It should be said that not only did this not detract from my enjoyment of the book at all, and at the end I couldn't wait to purchase the newest book in the series, but also that the story matured pretty well along with its characters. Maybe Jamie still makes a few dopey mistakes, and maybe Laura is a bit harsh (and occasionally makes her own dopey mistakes), but I love the way the relationship, marriage and pregnancy all progress. I also appreciated the new character introductions, brief though they might have been, because they added to the story in a true-to-life fashion, and added to the fun of the book. Personally, I felt that the author did a good job keeping the journal and blog entries true to the characters who wrote them.I think that this author has a real talent and look forward to reading more work by him.(There are still adult situations and adult language, so buyer beware if you don't appreciate that type of story.)

Humor in the British style. Certainly not PC in these current times. Uses British colloquialisms and names of British stores. Unless you were raised in the UK or read English novels you may miss some of the nuances. That said, the book made me laugh out loud several times which seldom happens these days. Could have done without the epilogue. I will definitely read it again. Highly recommended.

Love From Both Sides was very graphic and a little tasteless, but oh so funny. I approached Love and Sleepless Nights with trepidation. This book is a continuation of the main characters in Both Sides, but it is not nearly as raunchy. There is still some graphic sex albeit with humor. This book seems to have more of a plot and not just humorous incidents.Spoiler: the infant illness was especially touching and I felt very true to life.The series seems to be maturing along with the characters.

I LOVED this book. I am not a quiet chuckler, but this had me flat-out guffawing unexpectedly at some of the zingers that were put forward. Absolutely delightful! I started out with Love...From both sides by Nick Spalding, and enjoyed it so much, that I went straight to Love...and Sleepless Nights. My sister recommended these books, and told me to get them both, "because you will absolutely want to read the second one..." She was right! I was at the cottage, and ploughed through them both with people looking at me whenever I barked out another incredulous spurt of laughter. Be prepared for alot of fun!

2ND BOOK, JUST AS GOOD AS THE FIRST. SO FRIGGIN' FUNNY!!!!!!! I LITERALLY LAUGHED OUT LOUD AND BOUGHT THE WHOLE SERIES. I hope this author continues this series for 20 more books!!! Nick Spalding should be a comedian!!!

As always a riot. His descriptions are hilarious. I can actually visualize the situations he gets himself into. Not a true Spalding book unless there is at least one good fart story. Yes I'm an infant that can't help but laugh. As always I will and have highly recommended. Gbash

This is the second book in the series, and also the second best. It's still very often hilarious- especially their midwife, Jamie's impression of Laura's pregnancy, and their hospital stay. Unfortunately, the second half of the book chronicles the first year of their daughter's life, which is fraught with marital problems for the once happy couple. I'm sure this is the norm for relationships that are under the stress of parenting, but I don't want to know that! I want them to still be happy! Therefore, this book gets 4 stars- still funny, but too much sad for 5 stars.

Well, this is the perfect sequel. Not since reading Barring some unforeseen accident by Jackson Tippet Mccray did I laugh so much reading. Believe me, I have read a lot of book who are suppose to be funny, such as some written by stand up comics. They just don't tranlated well on paper.Love..and sleepless night is perfect. I believe I enjoyed this book so much because I am a parent by mostly is that even if I am in my fourties, I still love a good fart joke and boy was I even pleased with this one. I only wish it wasn't that last of the serie.

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Tuesday, January 23, 2018

Ebook Free Directorate S: The C.I.A. and America's Secret Wars in Afghanistan and Pakistan, by Steve Coll

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Directorate S: The C.I.A. and America's Secret Wars in Afghanistan and Pakistan, by Steve Coll

Directorate S: The C.I.A. and America's Secret Wars in Afghanistan and Pakistan, by Steve Coll


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Directorate S: The C.I.A. and America's Secret Wars in Afghanistan and Pakistan, by Steve Coll

Review

“Coll’s book is riveting”—Richard Cohen, NY Daily News "[A]journalistic masterpiece...Coll succeeds on all levels...Coll is masterful at plumbing the depths of agencies and sects within both Afghanistan and Pakistan...In this era of fake news, Coll remains above it all, this time delivering an impeccably researched history of "diplomacy at the highest levels of government in Washington, Islamabad, and Kabul."—Kirkus Reviews (starred)“With his evenhanded approach, gift for limning character, and dazzling reporting skills, he has created an essential work of contemporary history.”—Booklist (starred)“The most comprehensive work to date on the U.S. war in Afghanistan…Coll’s vital work provides a factual and analytical foundation for all future work on the Afghan War and U.S. policy in Central Asia.”— Publisher’s Weekly (starred)“Spellbinding. . . It does for America in Afghanistan what Michael Gordon and Tom Ricks did for the Iraq misadventure in Cobra II and Fiasco.”—Evening Standard“This sequel to Ghost Wars might well become the definitive account of the CIA and America’s secret wars in Afghanistan and Pakistan . . . In the pages of Directorate S, the sequel to Coll’s Pulitzer prize-winning Ghost Wars, the story is delivered with a literary prowess that has been absent in previous western accounts of America’s longest running war. The dance of blame, with the US swaying at one moment towards Pakistan and the next towards Afghanistan, is a choreography familiar to CIA chiefs, US presidents and writers who have tackled the subject. Coll refuses to follow this tired tune, and the result is masterful.”—The Guardian  “Steve Coll’s Directorate S is the sequel to his magisterial Ghost Wars. Both books rest on a foundation of serious scholarship and Coll’s extraordinary access, to individual CIA officers mostly, but also to many others. These notably included members of Pakistan’s Inter-Services Intelligence (ISI) agency, where Directorate S was the name given to the branch of the agency “devoted to secret operations in support of the Taliban, Kashmiri guerrillas, and other violent Islamic radicals”. Every assertion is carefully sourced and checked. This book is in the finest traditions of American investigative journalism. Coll is the thinking man’s Michael Wolff.” — Sherard Cowper- Coles, Times of London “Coll draws on decades of experience in South Asia, nearly 600 interviews over a decade, and thousands of pages of documents to give the most balanced and comprehensive picture to date of the unraveling of U.S. policy in Afghanistan. Few writers can match Coll’s length of time on the topic, range of contacts, or personal knowledge of realities on the ground… it is hard to imagine a more complete and thoughtful account of how the United States went wrong in Afghanistan.”—Task & Purpose“A spectacular account of 15 years of secret CIA and US military operations in Afghanistan and Pakistan by the investigative journalist and academic Steve Coll . . .With impressive access to American, Afghan and Pakistani intelligence, Coll reveals the extent of the surveillance undertaken by all sides . . . Directorate S has a cast of characters that make Bourne movies pale in comparison — from type-A CIA officers and paramilitaries to cigar-smoking and whisky-drinking Pakistani generals to a dog nicknamed “Lucky” because he was able to detect incoming missile strikes from drones before they hit.”—The Financial Times

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About the Author

Steve Coll is the author of the Pulitzer Prize-winning Ghost Wars and the dean of the Graduate School of Journalism at Columbia University, and from 2007 to 2013 was president of the New America Foundation, a public policy institute in Washington, D.C. He is a staff writer for The New Yorker, and previously worked for twenty years at The Washington Post, where he received a Pulitzer Prize for explanatory journalism in 1990. He is the author of seven other books, including On the Grand Trunk Road, The Bin Ladens, Private Empire, and Directorate S.

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Product details

Paperback: 784 pages

Publisher: Penguin Books; Reprint edition (February 5, 2019)

Language: English

ISBN-10: 0143132504

ISBN-13: 978-0143132509

Product Dimensions:

5.5 x 1.6 x 8.4 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

101 customer reviews

Amazon Best Sellers Rank:

#24,893 in Books (See Top 100 in Books)

According to General Sir Frank Kitson, "Insurgents start with nothing but a cause and grow to strength, while the counter-insurgents start with everything but a cause and gradually decline in strength and grow to weakness" ("Low Intensity Operations: Subversion, Insurgency and Peacekeeping"). That 1971-era aphorism has repeatedly been proven correct and the US "Coalition" effort in Afghanistan demonstrates its accuracy yet again. After nearly two decades and around 1 trillion dollars spent so far, a bloody and very tenuous equilibrium exists between Taliban insurgents and supporters of the Afghan government. The war from its inception to the present time is comprehensively researched and compellingly presented in Steve Coll's two books, "Ghost Wars" and "Directorate S". Unfortunately, with no end to the conflict in sight, a third volume may eventually be needed to update the story.Despite the narrow focus implied by the title, "Directorate S" does not focus either exclusively nor primarily on that branch of Pakistan's Inter Services Intelligence Directorate (ISI). The CIA was the focus of "Ghost Wars". The much more obscure Pakistani analogue, ISI Directorate S (charged - at least in part - with providing guidance, logistic, intelligence, material and occasionally directed support for Islamist insurgent/terrorist groups operating against Indian influence and Coalition forces in Afghanistan) has a background – but baleful - position in "Directorate S".Coll's history begins where "Ghost Wars" left off, i.e., the conclusion of the 1979-1989 battle of Afghani and allied Islamist groups against the Soviet Union. The USSR was defeated by CIA and Saudi supported insurgents. This occurred despite “all out” efforts by a modern and generally ruthless military directed against a “ragtag” constellation of tribes lacking an air force, armored vehicles and other accouterments possessed by the Red Army. The Soviet defeat ought to have been an object lesson for successors, but it wasn’t.Of course, the inevitability of dramatic and overwhelming US action against al Qaeda and its Taliban hosts after September 11 was obvious and perhaps justifiable at the time. What wasn’t thought out though was the consequence of military action, that being a long-term and interminable involvement in a conflict that would result in (at the very best) a costly and unsustainable stalemate. Pham Van Dong, (North Vietnamese premier and Ho Chi Minh’s close aide and successor) presciently commented to French war historian Bernard Fall in 1962, “Americans do not like long, inconclusive wars—and this is going to be a long, inconclusive war" and that was 3 years before we ramped up involvement.If, as Henry Kissinger remarked, "The test of policy is how it ends, not how it begins" (Washington Post, March, 2014), we've failed utterly and completely in Afghanistan. As even a casual reading of counterinsurgency literature shows, the prospect of prevailing against an insurgency in territory adjoining a supportive state approximates zero. A quick glance at a map shows such a state (Pakistan) and a cursory glance at any news source reported since about 1947 gives insight into the ineradicable antagonism (religious, geostrategic) between Muslim Pakistan and Hindu India. Afghanistan isn't known as "The Graveyard of Empires" for nothing. The debacles outsiders suffered there are well known and the stuff of legends and fiction. Consider George MacDonald Fraser's anti-hero Harry Paget Flashman's adventures in the First Anglo-Afghan War. While our military leadership isn't as inept as that of Major-General William George Keith Elphinstone (whose disastrous retreat from Kabul harkens to Napoleon’s retreat from Moscow) and we've yet to suffer other ignominies of First Anglo-Afghan War such as the Last Stand at the Battle of Gandamak and the Siege of Jalalabad, we aren't winning, either.“Directorate S” details all the problems associated with porous borders, semi-autonomous (i.e., largely ungoverned) tribal regions, endemic corruption of historical proportions (the Karzai government), warlords, weak central government lacking legitimacy (parallels between Karzai and Diem in Vietnam come to mind?), opium, factionalism (in the US, Pakistan, Afghanistan), conflicting priorities (the Petraeus school v the Abizaid approach), lack of a coordinated strategy (CIA v. DEA v. JSOC, etc., etc), heavy-handed tactics (drone strikes killing civilians), the always inimical influence of religion (especially militant Islam) and competing/conflicting interests of India, Pakistan, Iran. A particularly ill-advised decision was made with the US invasion of Iraq.The real irony of our involvement in Afghanistan is this: “Pakistan is 50 times more important than Afghanistan for the United States”, a candid remark made directly to President Hamid Karzi in the Arg Palace by Vice President Joe Biden. Karzai had repeatedly warned of ISI/Directorate S involvement in his country and the Americans were already well aware of it. We knew that ISI was directly and indirectly responsible for the deaths of many Americans and the Taliban likely wouldn’t be effective absent Pakistan’s support. In short, we knew we were facing rats in Pakistan’s ISI: “Pakrats” and there was precious little we could do about it.Sooner or later, the “endless money that forms the sinews of war” (per Cicero) from the US and Coalition forces will end. The casualties will exhaust us. We will leave. Whether India will allow Pakistani suzerainty in Afghanistan is anybody’s guess. As Steve Coll so well demonstrates, a major contributor to whatever happens next is Directorate S, “Pakrats” indeed and in fact.

This is a serious scholarly study of two national complexities supported with 37 pages of footnotes in tiny print.Overall, it's not an easy read. But conversely it's virtually pointless to try to understand regional conflicts without a close read. Studying Directorate S will not make one an overnight expert, but it will teach one to avoid others who claim to be without years of specialized training and on-site experience. Perhaps the strongest message is that no outsider can appreciate the complexities of ancient and modern tribal, ethnic, cultural, and religious rivalries, beyond a few with high security clearances and impeccable integrity.Coll doesn't do much undocumented editorializing, except for his contempt for how we stumbled into a war we could not win nor a peace we couldn't impose."No small part of N.A.T.O.'s failure to stabilize Afghanistan flowed from the disasterous decision by George W. Bush to invade Iraq in 2003. The war inflamed and mobilized deeper resistance to American counterterrorism policy and warfare in the Muslim world." (pg 664)Those seeking context--who have seen the elephant or seek more understanding of this old expression--should turn first to Chapter 26, Lives and Limbs. The book may be mostly political, but there's a human side too, described indelibly on a human scale. Best I've ever read.

Steven Coll, dean of the Columbia School of Journalism vividly describes our involvement on Afghanistan from 2000 until the beginning of the Trump Presidency. The beauty of Coll’s work is his clear analysis of the various factions of the CIA, the Military and the State Department, showing how their interpretations of events in Afghanistan affected the course of the war. The journalist demonstrates his in-depth knowledge of the ethnic divisions in the country and how they play out with class and economic disparity. He introduces the Taliban players in the Afghan War chronologically, builds up suspense as he describes what US decision makers favored a military rout out and who wanted a peaceful negotiation with tribal Islamists. We learn who the characters are who represent the north or south of Afghanistan, who trusts Pakistan and who view the Pakistani Secret Service as the source of Al Qaeda operatives who filter down into Kandahar to plant IED’s. The known events like 9/11, Holbrook’s sudden death, or the perceived success of General Petraeus’ successful ‘Surge’ act as pillars of pivotal changes. Finally Coll summarizes the the 16 years of war and hypothesizing on why we are still fighting this war, sixteen years later.

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Friday, January 12, 2018

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File Size: 24171 KB

Print Length: 368 pages

Publisher: W. W. Norton & Company; 1 edition (September 20, 2016)

Publication Date: September 20, 2016

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B01BX7S14K

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This book by Berkeley physicist Richard Muller is a combination of very interesting and disappointing. The main goal of the book is to provide an overview of a new theory of the generation of time that Muller has proposed. According to Muller, just like space expands as the universe expands, so does time. Thus, when the Big Bang occurred, along with new space new time was also created, and new time continues to be created even as the expansion of the universe is accelerating.This is a very interesting and in fact fascinating hypothesis. Muller even provides some preliminary, testable experimental hypotheses of the hypothesis: always a mark of a good scientist. Unfortunately this theory constitutes only about 30% of the book. The rest of the book is devoted to building up to the theory and then indulging rather superficially in philosophical concepts that don't really seem to have much of a connection to the main thesis.The first part of the book which explains relativity, thermodynamics and quantum theory is on a sound footing. What I like about Muller is that he is not afraid to be opinionated and to point out common misunderstandings that both students and experts have (for example, he dispels the common misunderstanding that in relativity, different observers "disagree" on the properties of different events). The part on thermodynamics is actually quite illuminating, especially when Muller comes down hard on Arthur Eddington's thesis that entropy drives the arrow of time from the past to the future. Muller tells us that the connection between entropy and time both increasing has been presented to us by biased events like eggs and teacups breaking. But as he says, teacups can also be built up, and even this event - which involves a decrease and not increase in entropy - is correlated with an increase in time. Thus, Eddington's correlation between entropy increase and time is just that, a correlation that does not have experimental support and does not make testable predictions. Eddington seems to have misled several generations of science writers, students and physicists. I had not quite appreciated this fact.So far so good, but the last third of the book then sort of unravels as Muller flits from one philosophical topic to another. Many of these seem dimly connected to the book's main proposal, and I also found some of the sentence constructions rather clumsy. These include free will, souls and empathy, and Muller mostly recycles stuff that other people have said (the one interesting thing that he says is that faster-than-light travel would violate free will because effects could then precede causes); his treatment of these topics is rather superficial in my opinion and the style is quite rambling. He comes back to what he calls the '4D Big Bang' suddenly at the end of the book.Overall I think this book is valuable and at times even highly provocative for its presentation of the uncertain connection between entropy and the 'arrow of time' and for its novel idea of the creation of new time. Those chapters are very much worth reading. But the rest of the book is more like a haphazard stream of consciousness exploring topics whose connection to the physics is not really clear. Muller is a truly outstanding scientist who has massively contributed to physics and physics education (several of his students have won Nobel Prizes) over three decades, a restless intellect and a fine teacher, but this book may not showcase the best of all these qualities.

The promos for this book make it sound as if it's for the general reading public. Well, it's not. There are equations and references to equations throughout. Muller skips over many difficult ideas without sufficient explanation, and these really need to be explained more thoroughly to a novice reader in the field of physics.Also there are many digressions (do we really need to know how he decided to name his daughter?). In other places, where he needs to build his arguments carefully, he doesn't do it.Here’s a passage from the middle of the book to demonstrate what I mean: “The vacuum contains energy. It can be polarized; that is, it responds to an electric field by separating its “virtual” charges. That polarization can be detected and measured by looking at the energy levels in the hydrogen atom (through something called the Lamb shift) and can be detected directly by the force the vacuum can exert on metal plates (the Casmir effect).” But Muller doesn’t explain the Lamb shift and he doesn’t explain the Casimir effect. I do know what some of these terms mean from reading other books, but I was lost in the woods anyway.If you understand the above passage, then this is an appropriate book for you. If not, look elsewhere.I did think Muller made some interesting points in the second half of the book, and I like that he’s willing to question the common wisdom in physics, e.g. the dogma of physicalism and the madcap rush of others to embrace string theory and MWI.I thought the digression on souls and empathy was inappropriate for a book like this. But Muller is certainly the go-to guy for science fiction movies and series! He must have seen every one.I'd recommend THE GOLDILOCKS ENIGMA (Paul Davies) or THE ELEGANT UNIVERSE by Brian Greene which are better introductions to some of these mind blowing concepts.

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Tuesday, January 9, 2018

PDF Download Thunderstruck, by Erik Larson

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Thunderstruck, by Erik Larson

Review

NEW YORK TIMES BESTSELLER“Larson is a marvelous writer...superb at creating characters with a few short strokes.” —The New York Times Book Review“Larson's gift for rendering an historical era with vibrant tactility and filling it with surprising personalities makes Thunderstruck an irresistible tale...He beautifully captures the awe that greeted early wireless transmissions on shipboard...he restores life to this fascinating, long-lost world.” —Washington Post “A ripping yarn of murder and invention.” —Los Angeles Times“Of all the non-fiction writers working today, Erik Larson seems to have the most delicious fun...for his newest, destined-to-delight book, Thunderstruck, Larson has turned his sights on Edwardian London, a place alive with new science and seances, anonymous crowds and some stunningly peculiar personalities.” —Chicago Tribune“[Larson] interweaves gripping storylines about a cryptic murderer and the race for technology in the early 20th century. An edge-of-the-seat read.” —People“Captivating...with Thunderstruck, Larson has selected another enthralling tale—two of them, actually...[he] peppers the narrative with an engaging array of secondary figures and fills the margins with rich tangential period details...Larson has once again crafted a popular history narrative that is stylistically closer to a smartly plotted novel.” —Miami Herald“As he did with The Devil in the White City, Larson has created an intense, intelligent page turner that shows how the march of progress and innovation affect both the world at large and the lives of everyday people.” —Atlanta Journal-Constitution“Captivating...with Thunderstruck, Larson again demonstrates that he's one of the best nonfiction writers around and proves that real-life murders can be as compelling to read about as fictional ones.” —Dallas/Forth Worth Star-Telegram“[Larson] captures the human capacity for wonder at the turn of the century...[he] has perfected a narrative form of his own invention.” —Cleveland Plain Dealer “An enthralling narrative and vivid descriptions...Larson has done a marvelous job of bringing the distinct stories together in his own unique way. Simply fantastic!” —Library Journal“Splendid, beautifully written...Thunderstruck triumphantly resurrects the spirit of another age, when one man's public genius linked the world, while another's private turmoil made him a symbol of the end of "the great hush" and the first victim of a new era when instant communication, now inescapable, conquered the world.” —Publishers Weekly

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About the Author

ERIK LARSON is the author of the national bestsellers Thunderstruck, The Devil in the White City, and Isaac's Storm. ErikLarsonBooks.com

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Product details

Paperback: 480 pages

Publisher: Broadway Books (September 25, 2007)

Language: English

ISBN-10: 1400080673

ISBN-13: 978-1400080670

Product Dimensions:

5.1 x 1 x 8 inches

Shipping Weight: 13.6 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

1,146 customer reviews

Amazon Best Sellers Rank:

#22,873 in Books (See Top 100 in Books)

I loved "In the Garden of Beasts" and really liked "Devil in the White City" and "Isaac's Storm," but this one a dud. Or, to be more specific, half a dud. Larson links two stories - Marconi's marketing of his wireless technology and a murder that apparently grabbed the headlines worldwide in the early 20th century - but the only thing they have in common is one incident. The rest of the book tells two totally different stories, and while both convey a sense of the times, they are not otherwise related and really don't complement each other.The story of Dr. Crippen's murder of his wife Belle (among other names) is more standard Larson - it's fascinating at all times and gripping at others. Marconi's story is also interesting, but not as much, and by constantly jumping from one to the other he undercuts the drama of both. The last 100 pages or so, when the two stories converge, is the best part of the book and more or less worth waiting for, but getting there is not half the fun and is downright tedious at times.I'd pass on this one. If you haven't read "In the Garden of Beasts," do so now, and then think about his other books. But don't waste your money or time on this one.

What a fantastic book! I've been struck down by the flu and had to spend several days in bed. This book was my companion. As miserable as I feel, this book made me forget about my symptoms. I was enthralled by the story and had to constantly remind myself this was non-fiction. A lot of the negative reviews this book has received claim that Mr.Larsen went into too much detail about Marconi and his experiments. I beg to differ. I have no knowledge of the intricacies of electricity or how waves travel but found the information easy to understand and relevant to the story. I also think the book was well organized. The transfer between the stories of Marconi and Crippen are done well. I was interested in both stories, not just the gruesome details of the murder, which does not present itself until late in the book. This is a book that is both engaging and informative. Highly recommended.

This is the third book of Erik Larson that I have read. All of his books, including this one, are highly researched and easy to read. If you can only choose one of his books to read, I would say by far, his book "Devil in the White City" is his best.Thunderstruck, uses the same format as the "Devil in the White City", where he interweaves two stories together. One story is about Marconi, who invented the wireless. The other story is about Dr. Crippen, who murdered his wife. The two stories are connected because Marconi's wireless is used to capture Dr. Crippen as he tried to escape to America.First let me talk about the Marconi part of the book. As stated above, Erik Larson does an amazing job researching this book. He has a "Notes and Sources" section at the end of the book, where he shows his sources. For the first half of the book, I was riveted to the Marconi story. Mr. Larson does a great job explaining how Marconi created the wireless, how he tried to improve on the wireless, and how other people also claimed credit for creating the wireless before Marconi. This story at times drags though in the second half of the book. Mr Larson tries to write about all of his research, an at times it felt that what he was saying was not advancing the story. It felt repetitive at times, even though the event happened at three different locations.Just an FYI, Mr. Larson sometimes goes on historical tangents. Usually I found these tangents extremely entertaining and informative. But I can see some readers finding them unnecessary for the story. But please note, I am extremely happy he put them into the book.The other part of the book is about Dr. Crippen. For the first half of the book I found this part of the story somewhat boring. Once Dr. Crippen meets Ethel, the story become really interesting. If you are looking to read about a sick and devious murderer, this is not the book for you. Dr. Crippen and Ethel seem like really nice people, while his wife is not that likeable.One thing the reader needs to take account is this murder actually happen, and it occurred in the early 1900's. No matter how well Mr. Larson investigated this story, he couldn't find all of the answers. He can't go into the mind of Dr. Crippen, he can only state the facts as he know them. Thus some aspects of the murder, Mr. Larson can't explain. He will give different theories, but he can't say for sure how the murder went down.Also, some actions of Dr. Crippen really confused me as a reader. Here is an example of the one that bothers me the most. His wife always was threatening to leave him, and telling him that other men would wan't her in a minute. She even takes steps in terms of leaving him. Why did Dr. Crippen not just leave his wife. instead of murdering her? Mr. Larson as an historical writer can't answer that question, but it is a question that really bothers me.The reason I gave this book 4 stars is that the story about Dr. Crippen is boring for the 1st half of the book. And sometimes the author goes overboard about Marconi. A good editor should have seen this problem and fixed it. Thus I recommend this book, with those small caveats.

Entertaining beyond all reason, Erik Larson tells parallel tales of obsession, genius, myopia, accomplishment (and its sacrifices). The book serves as the definitive, astonishingly compelling, detailed and surprising life of Guglielmo Marconi, ultimately (at last?) credited as the inventor of wireless communication, an invention that would profoundly change the world. His inspiration, desperation, obsession, his perhaps unprecedented self-belief, as well as his deep-seeded terror of competitors, drove him relentlessly on. Not a scientist. Self-educated. He, and his "wireless" was quite beyond his life's work. It was his life. Of equal appeal is the unraveling of one of the most compelling murders in British history, of which I will say little. Just make SURE you read through the last page! This is indeed an historical account - an almost maniacally researched one - that reads like a novel, a thriller, a procedural. It is exceedingly entertaining. As well as a profound achievement of his own. Larson' prose is crystal clear, filled with amusement, and amusing details, and he creates characters of many dimensions, impulses, quirks, and oddities. A great read.

Erik Larsen is an admirable researcher and tension builder as he was in the boffo 'Devil in the White City'. I loved learning about Marconi, a fascinatingly complex individual and the amazing Dr. Crippen. The tale bogged down in the middle but it sure caught fire when Belle disappeared. Another amazing chapter in history masterfully told.Note on Larson's research: He doesn't just provide a fact, he shows his relentless research in things like the cat used in the forensics study of Belle. He not only knew the cat's name but that it survived and was adopted by a medical assistant, had a littler of kittens and was done in by a dog. He doesn't do research by halves.

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