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Review
“The Systems Novel. Mega-Novels. World Fictions. Have these terms and the characterizations they encourage had the effect of removing history and locatedness from our most ambitious literary fictions? To appreciate their significance, Stefano Ercolino urges us to reconsider contemporary fiction within literary history as a whole. A critical project no less ambitious than the big books under discussion,The Maximalist Novel offers new categories and a transatlantic context for current fiction in both its innovative and traditional aspects.†―Joseph Tabbi, Professor of English, University of Illinois at Chicago, USA“In this ambitious study, Stefano Ercolino persuasively argues that the maximalist novel has developed out of its postmodern American roots to become a vital transnational genre for contemporary Western writers. Ercolino's multilinguism and deep knowledge of an array of national literary traditions allow him to bring into view the formal features that define this new and vibrant genre-an undertaking made all the more interesting by the apparent limitlessness and lawlessness that these novels project. Ercolino is a powerful theorist in his own right. One of the delights of this book is its dialectical engagement with key ideas from the long tradition of novel theory. Drawing from marxist, narratological and new medial studies, Ercolino brings a maximized knowledge of novel theory to his inquiry into the maximalist novel.†―“By the 'maximalist novel,' Ercolino means works that possess 'strong morphological and symbolic identity' and are defined by length, encyclopedic mode, dissonant chorality, diegetic exuberance, completeness, narratorial omniscience, paranoid imagination, intersemiocity, ethical commitment, and hybrid realism. Though Ercolino's world is 'hermeneutic frameworks' and 'intersemiocity,' some of his insights are more democratic - not reserved for those with their fingers on the theoretic pulse of Barth and Lyotard […] Ambitious, systematic, and rigorous, Ercolino excels at close readings of the novels. Summing Up: Recommended. Graduate students, researchers, faculty.†―CHOICE“Ercolino knows his literary theory; his introduction . . . makes well his case for understanding maximalism as a genre beyond the questions of mastery, encyclopaedism and national identity . . . [and] it is on this theoretical ground that Ercolino's argument is at its strongest†―Textual Practice“Ercolino situates his contribution in response to three competing paradigms for thinking about long narrative works: Tom LeClair's 'systems novel', Franco Moretti's 'world text', and Frederick Karl's 'Mega-Novel'. Moretti's Modern Epic looms perhaps the largest among these three, and one of The Maximalist Novel's greatest strengths is in the way it extends Moretti's classic analysis to incorporate the developments in epic form ushered in by postwar writers … [T]his book makes a valuable contribution to novel theory and should be of interest to readers intent on understanding how the big, ambitious novels of the late twentieth and early twenty-first century work.†―Forum for Modern Language Studies, Volume 51 Issue 2 (April 2015)“Up to the present, we have had three major attempts to define the chaotic seeming extravaganzas that take the form of doorstop-sized books. Tom LeClair, Frederick R. Karl, and Franco Moretti have laid out conflicting definitions, and Stefano Ercolino offers a splendid, different, and nuanced approach to such challenging texts as David Foster Wallace's Infinite Jest and Roberto Bolaño's 2666. He identifies characteristics present to greater or lesser extent in all of the seven novels he discusses, and then analyzes how these characteristics function. Length, encyclopedic mode, dissonant chorality, and diegetic exuberance strain the novelistic conventions and readers' capacities to absorb, while completeness, narratorial omniscience, and paranoid imagination, all help contain or modify the centrifugal impulses. He sees these novels as dynamic balances in which chaotic drives are co-present with cosmic structuring. Where people like Edward Mendelson argued that the point of creating an encyclopedic work was to be encyclopedic for its own sake, Ercolino insists that encyclopedism is a tool, not a goal, even as multiplicity of plots and voices is not in itself a goal but part of the larger dynamic within the organization. In addition to those characteristics, he also discusses inter-semiocity, ethical commitment, and hybrid realism as contributors to these attempts to create totalizing representations of our world. Ercolino writes lucidly, and keeps his chapters short and focused. Particularly interesting is his argument that the maximalist novel is a strong hybrid between novel and epic. Ercolino's study is a good place to start if you want help making sense of a maximalist novel.†―Kathryn Hume, Edwin Erle Sparks Professor of English, The Pennsylvania State University, USA“The Maximalist Novel offers a thought-provoking overview of its object, and an excellent spur to further research.†―Studies in the Novel“Ercolino is persuasive in his conception of the genre ... [and] particularly astute in pursuing the genealogy of each element.†-Iain Williams, University of Edinburgh, UK, U.S. Studies Online
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Book Description
Sets out ten particular elements which define a new genre of contemporary fiction: the maximalist novel.
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Product details
Paperback: 208 pages
Publisher: Bloomsbury Academic; Reprint edition (October 22, 2015)
Language: English
ISBN-10: 1501314297
ISBN-13: 978-1501314292
Product Dimensions:
6 x 0.4 x 9 inches
Shipping Weight: 12.6 ounces (View shipping rates and policies)
Average Customer Review:
3.4 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#549,720 in Books (See Top 100 in Books)
A great, one of a kind resource. As far as I know, the it is the only full treatment of literary maximalism.
I wanted to enjoy Stefano Ercolino’s The Maximalist Novel: From Gravity’s Rainbow to Roberto Bolano’s 2666 more than what I eventually did. Maybe the long title should’ve given me pause. I have read a couple of the seven novels Ercolino focuses on(a slender selection, to be sure), so I’d hoped a little analysis on their similarities might be an enjoyable take in. I’m gonna have to admit, the subject quickly bored me. Or perhaps the author’s delivery might have had something to do with that. But i guess I’ll let him speak for himself:“The literary object I aim to define in this study is the maximalist novel. It is an aesthetically hybrid genre of the contemporary novel that develops in the second half of the twentieth century in the United States, then “emigrates†to Europe and Latin America at the threshold of the twenty-first. “Maximalist,†for the multiform maximizing and hypertrophic tension of the narrative; “novel,†because the texts I will discuss are indeed novels. The aim of this study is to stake out a new conceptual territory that will contribute to a reconfiguration of the traditional view of the postmodern as well as a rethinking of the development of the novel in the second half of the twentieth century.â€That’s paragraph number one. If that opener doesn’t tickle you fancy, I’m afraid this won’t be your kind of book, as there’s nothing but more and much worse ahead. I did finish this, but it was a bit of a slog. The under two hundred pages of text felt like twice that number. One can’t argue, however, that the author doesn’t take his subject seriously. Ercolino identifies ten necessary components for a Maximalist Novel. Are you ready for ‘em?1)Length2)Encyclopedic mode3)Dissonant chorality4)Diegetic exuberance 5)Completeness6)Narratorial omniscience 7)Paranoid imagination 8)Intersemioticity9)Ethical commitment10)Hybrid realismGot ‘em? Good. Maybe you can explain diegetic to me sometime. If you do, I’ll agree that we can both ignore Intersemioticity as if we already knew what the fell it was. Or cared...The author spends the remainder of the book unpacking each essential component of a Maximalist Novel with references drawn from White Teeth, The Corrections(?), Underworld, Gravity’s Rainbow, Infinite Jest, 2066, and some Italian novel I’d never heard of before this book. Ercolino makes use of some lit theoreticians who have gone before him. He also distinguishes his subject from precursors, like the more traditional Epic, as well as more nouveau produits like the Mega Novel. Ercolino asserts the common sensical: the goal of the Maximalist Novel is to chart the world, even in all its diversity and dissonance. How does one do that? One inch equals one page, eh? Not exactly. The encyclopedic aspires to capture all matter; the Maximalist also includes the disturbing openness of anti-matter, fragmentation, and the dissipating. Ercolino can also be interesting, such as his rather extensive listing of themes from his all chosen Maximalist novels. The reoccurrence of technology (hardly a surprise)was close to having a ubiquitous presence—though it is excluded from 2066, according to the author—bordering on obligatory in all the examined works, but the inclusion of drugs as a blanket theme across the board certainly supplements the atmosphere of paranoia which does pervade the Maximalist storyline as a rule. To make the reader’s struggle just a little more unpleasant, the Kindle edition of The Maximalist Novel doesn’t link notes to text—though it appears like it does. When this is factored in I consider three stars generous on my part. Ercolino mostly makes his case, though. It’s just that by the time you get to his closing arguments you may have quite a maximalist headache.
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